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Ernst Toller (1 December 1893 – 22 May 1939) was a German author, playwright, left-wing politician and revolutionary, known for his Expressionist plays. He served in 1919 for six days as President of the short-lived Bavarian Soviet Republic, after which he became the head of its army. He was imprisoned for five years for his part in the armed resistance by the Bavarian Soviet Republic to the central government in Berlin. While in prison Toller wrote several plays that gained him international renown. They were performed in London and New York City as well as in Berlin.
In 1933 Toller was exiled from Germany after the Nazis came to power. He did a lecture tour in 1936–1937 in the United States and Canada, settling in California for a while before going to New York. He joined other exiles there. He committed suicide in May 1939.
At the outbreak of World War I, he volunteered for the German Army. After serving for 13 months on the Western Front, he suffered a complete physical and psychological collapse. His first drama, Transformation ( Die Wandlung, 1919), was wrought from his wartime experiences.
Together with leading anarchists, such as B. Traven and Gustav Landauer, and Toller's party, the Independent Social Democratic Party of Germany (USPD), Toller was involved in the short-lived 1919 Bavarian Soviet Republic. The communists were against the founding of a communist republic at this point. He served as president from 6 April to 12 April. Communists agitated against Toller and his councils and sent speakers into soldiers barracks to announce that the Council Republic did not deserve to be defended. He issued numerous decrees, almost all of which remained unrealised: the press was to be socialised, the mining industry was to be socialised, and the eight-hour working day made legally binding. He decreed that citizens could withdraw only 100 marks per day from the banks, and issued reassurance to the workers that these measures were directed against the major capitalists who were attempting to take money abroad. A decree was made against exorbitant rents. His government members were not always well-chosen. For instance, the Foreign Affairs Deputy Dr. Franz Lipp (who had been admitted several times to psychiatric hospitals) informed Vladimir Lenin via cable that the ousted former Minister-President, Johannes Hoffmann, had fled to Bamberg and taken the key to the ministry toilet with him. On April 13, 1919 the Communist Party seized power, with Eugen Leviné as their leader. In May 1919, the republic was defeated by the Freikorps.
The noted authors Max Weber and Thomas Mann testified on Toller's behalf when he was tried for his part in the revolution. He was sentenced to five years in prison and served his sentence in the prisons of Stadelheim, Neuburg and Eichstätt. From February 1920 until his release, he did most of his time in the fortress of Niederschönenfeld, where he spent 149 days in solitary confinement and 24 days on hunger strike.
Toller was unable to see the plays he had written in prison performed until after his release in July 1925. The most famous of his later dramas, Hoppla, We're Alive! ( Hoppla, wir Leben!), directed by Erwin Piscator, premiered in Berlin in 1925. It tells of a revolutionary discharged from a mental hospital after eight years, who discovers that his former comrades have grown complacent and compromised within the system they once opposed. In despair, he kills himself.Pearlman, Alan Raphael, ed. and trans. 2000. Plays One: Transformation, Masses Man, Hoppla, We're Alive!. By Ernst Toller. Absolute Classics series. London: Oberon. . pp. 17, 31
Suffering from depression, separated from his wife and struggling with financial woes (he had given all his money to Spanish Civil War refugees), Toller committed suicide on 22 May 1939. He hanged himself in his room at the Mayflower Hotel, after laying out on his hotel desk "photos of Spanish children who had been killed by fascist bombs".Jean-Michel Palmier, Weimar in Exile, pg 360
The English author Robert Payne, who knew Toller in Spain and in Paris, later wrote in his diary that Toller had said shortly before his death:Robert Payne, "Diary entry for May 23, 1942", Forever China (Chungking Diaries), New York: Dodd, Mead, 1945
W. H. Auden's poem "In Memory of Ernst Toller" was published in Another Time (1940).
After exile:
In 2000, Alan Pearlman published his translation into English of several of Toller's plays.Pearlman, Alan Raphael, ed. and trans. 2000. Plays One: Transformation, Masses Man, Hoppla, We're Alive!. By Ernst Toller. Absolute Classics series. London: Oberon. The literary rights to the works of Ernst Toller were the property of the novelist Katharine Weber until the copyright expired on 31 December 2009. His works have now entered the public domain.
The most recent comprehensive biography of Toller is by Robert Ellis, "Ernst Toller and German Society. Intellectuals as Leaders and Critics" Fairleigh Dickison University Press, 2013.
Exile, death and legacy
Two of his early plays were produced in New York in the 1930s: The Machine Wreckers (1922), whose opening night in 1937 he attended, and No More Peace, produced in 1937 by the Federal Theatre Project and presented in New York City in 1938. Their sense of immediacy was gone: the first play was related to the First World War and its aftermath, and the second an earlier period of the rise of the Nazis. Their style was outmoded for New York, and the poor reception added to Toller's discouragement. Peter Bauland, The Hooded Eagle: Modern German Drama on the New York Stage, Syracuse University Press, 1968, pp. 112-114
"If ever you read that I committed suicide, I beg you not to believe it." Payne continued: "He hanged himself with the silk cord of his nightgown in a hotel in New York two years ago. This is what the newspapers said at the time, but I continue to believe that he was murdered".
Works
Influence
Sources
Tankred Dorst (1968). 351810294X, Suhrkamp Verlag. 351810294X
(1996). 9783931135188, Weidle Verlag, Bonn. ISBN 9783931135188
Further reading
Categories: 1893 Births, 1939 Suicides, 1939 Deaths, People From Szamocin, Writers From The Province Of Posen, Independent Social Democratic Party Politicians, Jewish Writers, Jewish German Politicians, Jewish Socialists, Bavarian Soviet Republic, German Expressionist Dramatists And Playwrights, Modernist Theatre, Suicides By Hanging In New York City, People Of The German Revolution Of 1918–1919, Jewish Emigrants From Nazi Germany To The United States, German Male Dramatists And Playwrights, German Revolutionaries, Heads Of Government Who Were Later Imprisoned, 20th-century German Dramatists And Playwrights, People Convicted Of Treason Against Germany
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